Well, I love this annual. It makes just such pretty maps. I didn’t work on this awfully long. Actually, the longest stint was just waiting just a few hours for Ralf to get me a new file to unzip, as I had a little glitch with the vari-colored trees that got fixed up right quick. ProFantasy support is awesome.
(Download the FCW file)
So, for this map, just mapped as I went. I had no clear plan what I was going to do, so I just started putting down buildings, then the walls around them. I modified a few symbols by changing their scale to use in an unconventional way or two, but that’s what I do (such as the docks and the trellis over the walls).
After getting my structures settled, I set about the landscape, water, and rock ridges. For vegetation, I always start with the low-lying vegetation bushes both green and flowering, then I like to make two sheets for trees, just to assure certain trees I want are higher than others.
I wanted a boat and a few things around the map and normally I would delve into my arsenal of symbols to really dress this map up. Since this is a series featuring the Annuals, the maps should be symbols from the annual only….so what else to do than make my own? I set out to make a rudimentary boat, as I am no Sue, Hans or Pär by any means. I made a sheet for the basic boat shape, then another for the boat bottom and it’s shading to give the illusion of depth (not the well, I’m afraid, lol) and another for the rim of the boat. By adding some Glow effects and Bevel effects, I think it’s decent a job with the tools and talent I’ve got. I also made some stone benches for reflection throughout the temple by creating a sheet and putting the Glow, Bevel and Shadow effects on them. There’s also been a reflection well created on one of the islands.
The font I’ve got showing on the image in not ProFantasy issued. I wanted something with a bit more of an Asian flair so I went online and found this free for commercial use font called Night in Tokyo, which can easily be found by doing an internet search. You, reader, will get the standard font for this annual, Uchiyama, when starting a new map with this style.
Every year we make one of the Cartographer’s Annual issue available for free to give everyone a taste of the tasty mapping inside. This year we decided on the Tagkrammer Isometric style from December, that lets you create 3D maps of buildings and dungeon layouts. This style is now included in the Free Sampler.
To make up to all our loyal subscribers, we add a bonus issue to the year’s roster. This year Sue Daniel expands on her City Cliffs symbol pack with two new sets of symbols, one in limestone and the other in sandstone. Almost 150 new symbols in 2 catalogs, 3 new bitmap fills, and two alternate versions of the Varon Rock example map give you lots of sheer rock faces to tinker with.
November has come and gone and produced another fine crop of user maps on both the Profantasy forum and in the CC3+ FB Group. Here is a very small selection of them presented as the November installment of our popular Maps of the Month blog.
Near the beginning of the month Loopysue completed a map that Jerry Thiel started some time ago. Jerry is sadly no longer able to map but still finds pleasure in writing game scenarios. The Lakes of Michigami is a fantasy version of a real world location intended as the main campaign map. Continue reading »
Well, it’s been a busy time for me. I’ve returned to full-time in person work and have had little time for mapping. But….games do go on, so a DM needs to be able to through together something quick on the fly. That’s what this is….a map I literally threw together in no time.
(Download the FCW file)
I decided to go with a seasonal theme with this one. So, here’s an orc kingdom during the autumn season in some fantasy world. This style made it pretty simple to through together something quick, easy and pleasing to the eye. Just follow along the mapping guide if you’ve no clue where to start.
The year is almost over, and we will soon be starting the resubscription offer for 2021. But until then the Cartographer’s Annual has another great mapping style for you: Tagkrammer Isometric for Perspectives-style floorplans.
We became aware of the beautiful isometric floorplan for a merchant’s “Kontor” on the Cartographer’s Guild and approached the author about turning it into a CC3+ style. Kawe Weissi-Zadeh of Westphalia Miniatures was happy to oblige and the result is the Tagkrammer Isometric style. It is an easy to use floorplan style, that can make good use of Perspectives 3 tools, but can also be used without that add-on.
On Thursday, December 3rd, the style features in our Live Mapping session on You Tube.
If you have already subscribed to the Annual 2020, you can download the December issue from your registration page. If not, you can subscribe here.
In yesterday’s Live Mapping session I combined tools from Dioramas 3 with assets from Cosmographer 3 to design the paper model of a simple communications tower. You can watch the video here:
As I was quite happy with the results and am currently building some science fiction terrain anyway, I sat down to actually build the model, straight from the print out of the session’s work. Here you see me messing around with paper cutter and glue to build the model:
And finally, here is a picture of the finished model, next to some of my other terrain. Click the image to download the FCW file.
This was a fun little map. With this month’s annual I decided I would do a section of the ruined city Shan Drag’Oth in my homebrew campaign. It is a cursed city of ruins in a valley of evil and desecration, so a dark, gloomy theme was a must. This annual fits in with the CD3 Bitmap B symbol set, so I stuck with those fills for this map.
(Download the FCW file)
I am not personally particularly fond of the fills for this set, and they are not as gloomy as I needed for the look I wanted, so I found myself using the RGB Matrix on multiple sheets, including the sheet with my trees on it…..surprisingly the RGB Matrix worked beautifully on the tree symbols (not the bushes for some reason, so I just shrunk down the trees and used them for bushes on a separate sheet). I used a setting Sue had provided for her Isometric Town annual and tweaked it a little for the exact look I wanted. Once I had the coloring down, I then added the Texturize effect, which I am a fan of, to multiple sheets to give the map a gritty look.
Along with changing the color of the trees for this map, as usual, I used the varicolored symbols so I can change their color at any time, which can dramatically change the look of a map very simply. The ruins symbols that our friend, the talented Pär Lindström created for this annual are a wonderful addition to the city set.
About the author: Lorelei was my very first D&D character I created more years back than i’d like to remember. When I decided to venture into creating maps for my and others rpgs, I thought I owed it to her to name myself Lorelei Cartography, since it was her that led me to the wonderful world of tabletop gaming in the first place. Since then I have been honored to have worked with companies such as WizKids, Pelgrane Press, and ProFantasy. You can view some of my work at www.LoreleiCartography.com
After finishing the 2019 Annual, Christina Trani steps back in time to go through all of the 2018 issues with example maps and comments. Available so far are January, February, March, April, and May.
Remy Monsen takes a look at using multiple symbol styles in the same map and how to make that as easy as possible.
Recently we’ve done quite a few video tutorials and Annual issues on city mapping, and I wanted to to collect these into one conventient reference. Let’s take a look what we got:
Every week we do a live mapping session on YouTube, showcasing a certain style or set of tools in CC3+. Here are the most recent Live Mapping videos with Remy and Ralf, as archived on YouTube:
