The Pirate CoastFor the May issue of the Annual 2018 we have a classic overland mapping style, created by Glynn Seal, who previously created the Havenland style for the Annual, and is a prolific rpg map maker and rpg designer (check out his MonkeyBlood Design & Publishing website).

The Myrklund style consists of more than 150 highly detailed symbols and bitmaps textures, that combine into a beautiful hand-painted look. The 4-page mapping guide gives you a detailed walkthrough of creating an overland map in this style.

You can subscribe to the Annual 2018 here. Once you have subscribed, the May issue will immediately become available for download on your registration page.

CA130 Te Matuku BayNew Zealand is one of the most avid sailing nations of the world and while traveling along it beautiful coasts I often came across marine charts detailing the waterways. I always loved these maps and decided at some point I’d have to create a CC3+ style that recreated their detail and beauty. This is the month where it happened!

The vector style “Marine Maps” let’s you recreate navigational marine charts within CC3+. With three dozen news symbols and drawing tools and a 5-page mapping guide it’s snap to produce a detailed picture of your real or fictional coastline.

The October issue is now available for CC3+ from the registration page for all subscribers. If you haven’t subscribed to the Annual 2017 yet, you can do so here.

CA128 Twin RealmsThe August issue presents another overland style for CC3+. “Parchments Maps” is a re-work and expansion of 2015’s “Classic Fantasy” style, inspired by Gary Warburton’s map work with that style for his world of Aethir.

You can see Gary’s Kingdom of Icara map over on the ProFantasy forum. In addition to being a complete style on its own, the Parchment Maps style can also be used together with Classic Fantasy for a greatly expanded range of symbols.

The issue is now available for CC3+ from the registration page for all subscribers. If you haven’t subscribed to the Annual 2017 yet, you can do so here.


I’ve started to play a simple and easy to understand roleplaying game with my two oldest children (this is also the reason that the names in the map are all in Swedish, they don’t read English). And of course no game can be really appreciated without a world map to look at.

So I decided to make one while trying out the April annual style from Profantasy, made by the artist Herwin Wielink.

It is always hard to start working with a new style, it takes a while just to get used to the style itself. What graphics are included, fields, desert, marshes, rivers, forests and so on. A good thing is to just create a couple of test maps to get used to the style, to get the feeling of it. In this case I did that, but not only on purpose. I’ve read on a lot of places that people complain that CC3 can be a bit unstable, that it sometimes crashes a lot.

Well I’ve never experienced that, apart from with one of my more ambitious projects where the actual file grew too large for CC3 to handle. But with this particular style I actually had two crashes where I had to restart the whole project from the start again. That has never happened before and it was probably just a coincidence that it happened now, but I guess that the end result ended up better because of this. You can say that I learned from the mistakes in the two earlier maps, so I didn’t need to repeat them in the final map. [Editor’s notice: If you ever lose your map, look for autosave.fcw in your CC3 folder.]

The graphics in the style are absolutely gorgeous and mountains, forests and other symbols really melt into the background in a great way that kind of hides the fact that the map is made in CC3. The only other CC3 style I can think of that accomplishes this as good as this one is the 2011 March annual overland style by Jonathan Roberts.

I also like the colour palette a lot in the style. Sometimes I think that maps made in CC3 can be bit cartoonish when it comes to colour, this particular style though has a really nice dark feeling about it. I like that.

Overall the style was very easy to use, the selection of textures and symbols are vast so you can really get some great variation into the map. And variation is very good if you want to make a map that is unique and nice to look at.

As usual I’ve done the labeling in Photoshop, I just can’t get it to work satisfactory in CC3, but that is probably because of me and not the program. The font is the same though as the one included in the style.

(Originally posted on