Sears Robuck Catalog HouseLast up this bunch, 1800s Floorplan. Oh, boy I loved this one. What fun it was looking for inspiration for this map. I ended up using a floorplan for a model home from a Sears and Roebuck Co. Catalog from the early 1900s. These homes could be ordered via mail catalog and Sears would ship the homeowner all the materials needed to build this home, seriously everything, was sent by train to be constructed by the homeowner. These catalogs are a huge favorite resource of mine for floorplans of all kinds.

I used an image of the floorplans and traced them with the Annual’s tools making a few minor adjustments of my own to the floorplan. Everything I needed to reconstruct the catalog image was at my fingertips. What an easy annual. I then inserted a file of an image of the actual house for this floorplan. I processed the image in PS, gave it a little more a sepia hue to it to give it a more authentic look. I think this is the PERFECT map for a Cthulhu game, don’t you? . I also did felt the need to change the name of the catalog company, as well as the model home name and number for copyright purposes.

[Download the FCW file]

About the author: Lorelei was my very first D&D character I created more years back than i’d like to remember. When I decided to venture into creating maps for my and others rpgs, I thought I owed it to her to name myself Lorelei Cartography, since it was her that led me to the wonderful world of tabletop gaming in the first place. Since then I have been honored to have worked with companies such as WizKids, Pelgrane Press, and ProFantasy.

CA200 Ruins on a CliffIn the August issue of the Annual 2023 we return back to some (visually) simpler maps in black and white. Draw ruins, floorplans and dungeons with faux-inked lines and easy to use black and white symbols.

Related to and compatible with 2020’s Inked Dungeons, the Inked Ruins style allows you to build surface ruins and outdoor areas that can be easily printed and comfortably read even at relatively small output sizes.

The August issue is now available for all subscribers from their registration page.

If you haven’t subscribed to the Cartographer’s Annual 2023 yet, you can do so here.

Christina continues her series on the 2016 Annuals

Temple of Bones was the next up for 2016’s Annual. Oh, Temple of Bones. This was a challenge for me, as I often find Perspectives to be. I honestly don’t have much to say about this map. I’m not sure how I feel about it aesthetically, but what I will say, as I say whenever I succeed in a challenge mapping with Perspectives, I am proud I was able to put out a decent map, at least. 😊

[Download the FCW file]

About the author: Lorelei was my very first D&D character I created more years back than i’d like to remember. When I decided to venture into creating maps for my and others rpgs, I thought I owed it to her to name myself Lorelei Cartography, since it was her that led me to the wonderful world of tabletop gaming in the first place. Since then I have been honored to have worked with companies such as WizKids, Pelgrane Press, and ProFantasy.

CA199 The Bulwark
It seems to be the year of new contributors in the Cartographer’s Annual 2023. Please welcome Monkey Frog Studio with their new overland mapping style in the July issue.

Cleverly named “Monkey Frog Overland”, the drawing style comes with over 200 new symbols and we are planning to expand it even further, with lots of structure symbols later this year. As always the accompanying mapping guide takes you through creating a Monkey Frog Overland map step by step.

The July issue is now available for all subscribers from their registration page.

If you haven’t subscribed to the Cartographer’s Annual 2023 yet, you can do so here.

Christina continues her series on the 2016 Annuals

Next up, Empire of the Sun. I love, love, love this Annual. It looks like wall art, doesn’t it? For this Annual I changed nothing except the range of the text’s outer glow a teeny tiny bit. No reason to change a thing. I love the brushed watercolor look of this map.
For this map, I must admit I used my own homebrew fantasy world for this landscape. I’ve changed the names from my world, just in case any of my players make their way here, or come across this map for any reason other than within their gameplay.

[Download the FCW file]

About the author: Lorelei was my very first D&D character I created more years back than i’d like to remember. When I decided to venture into creating maps for my and others rpgs, I thought I owed it to her to name myself Lorelei Cartography, since it was her that led me to the wonderful world of tabletop gaming in the first place. Since then I have been honored to have worked with companies such as WizKids, Pelgrane Press, and ProFantasy.

CA198 Dockside Warehouse and Carriage YardWelcome, dear cartographers, to the June issue of the Cartographer’s Annual and to an alternate universe where steam technology goes way beyond what was possible in ours, mad scientists devise strange and powerful artefacts, and most likely zeppelins zip across the sky – in other words, a steampunk world.

Jon C Munson II, who created his first Cartographer’s Annual (Munson’s Mines) in 2017, has returned with another symbol pack compatible with Mike Schley’s Dungeons of Schley of Symbol Set 4. It includes trains, tracks, vehicles and lots of strange machinery.

The June issue is now available for all subscribers from their registration page.

If you haven’t subscribed to the Cartographer’s Annual 2023 yet, you can do so here.

Hello Mappers! After a long absence from mapping due to life and some medical issues, which I am still battling, I’ve just decided to push through and try to get back to something that always brought me joy. I’ve enjoyed the heck out of watching the amazing maps some of you are putting out there. Ricko here’s your shout out….I see you and am inspired, as well as so many others new and old in our ProFantasy family in the forums and Facebook posts.

So, we last left off finishing up the 2017 Annual. I’ve worked on the first four maps in the 2016 Annual, Here Be Monsters (Overland), Empire of the Sun (Overland), Temple of Bones (Perspectives), and 1800s Floorplan (Floorplans). Okay, so I’ll be honest, it’s been a looooooong while since I’ve been inspired in my own right to create anything, so it was super slow going getting back in the swing of things.

Here Be Monsters
[Download the FCW file]

Here Be Monsters … not my typical style preference, but I must say, after working with it, I grew to adore it. My only adjustment was the water hue, as I wanted it to be a slightly more greenish blue shade. This was easily remedied by adjusting the Hue and the Lightness on the Sea Sheet, which was also showing as my Rivers Sheet. For the Rivers, I deleted that sheet and just placed them directly on the Land Sheet, added a Color Key, this way my Rivers and Sea were the same shade of greenish blue I was going for.

I based the map off of a story I wrote back in college for my Creative Writing course. The story was a bit rudimentary, but seeing the idea of it in the form of a map, especially Pär Lindström’s whimsical style, was a pretty satisfying way to get back in my favorite hobby.😊

About the author: Lorelei was my very first D&D character I created more years back than i’d like to remember. When I decided to venture into creating maps for my and others rpgs, I thought I owed it to her to name myself Lorelei Cartography, since it was her that led me to the wonderful world of tabletop gaming in the first place. Since then I have been honored to have worked with companies such as WizKids, Pelgrane Press, and ProFantasy.

We are very happy that with Jimmy Medina (aka DM Geezer Jim) we have a new contributor to the Cartographer’s Annual for the second month in a row. We loved the multi-structure floorplans extending over several levels that he shared with the community, and asked him to create a floorplan of a whole city block.

The resulting map pack “City Block” makes up the May Annual issue and shows eight different buildings interconnecting via their cellars, ground levels, upper stories and roof tops using the Dungeons of Schley style. It also contains a 10-page mapping guide, including descriptions and adventure ideas for the buildings.

The May issue is now available for all subscribers from their registration page.

If you haven’t subscribed to the Cartographer’s Annual 2023 yet, you can do so here.

Prybylski WatercolourWe are happy and proud to present a new artist for the April issue of the Cartographer’s Annual. E. Prybylski has been contributing beautiful CC3+ maps to the community for a while, but they are also a great artist with ink and watercolour brushes, and we wanted to leverage that for the Annual. So symbols and Textures were drawn by hand and then converted into digital assets.

The result is the E Prybylski Watercolour style you see here. More than two hundred hand-drawn symbols combine with a dozen textures to produce unique and beautiful overland maps with a decidedly hand-drawn flavour.

The April issue is now available for all subscribers from their registration page.

If you haven’t subscribed to the Cartographer’s Annual 2023 yet, you can do so here.


For the March issue of the Cartographer’s Annual 2023 Sue Daniel is back with a glorious new battle map style for those wintry excursions. See how her forest paths of 2022 turns into new winter trails, frozen rivers and lakes, and snow-covered woods.

Compatible with Sue’s Forest Trail style form last year’s Annual, Winter Trails contains everything you need to draw snow-covered outdoor maps for those encounters in the woods.

The March issue is now available for all subscribers from their registration page.

If you haven’t subscribed to the Cartographer’s Annual 2023 yet, you can do so here.

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